a0890737114_2My review pile is a wonderfully chaotic place, a real juxtaposition of styles that tumble at random from the “to do” list onto the stereo for further consideration. So after a morning of trying to find new ways of making melancholic and pastoral singer song-writers minor key creations sound like more than the sum of their ponderous parts, it was with a squeal of delight that I greeted the latest Nasty Little Lonely e.p. that had finally made its way to the top.

Nasty Little Lonely are an awesome live experience and thankfully a lot of the energy and attitude that they bring to the stage is evident in this four-track collection. To experience their music is to meander between hard and jagged genres, cold metallic industrial noise and dark gothic, reverb drenched, post punk grit. The often affected vocals add to the demonic-dream dimension that the band seem to spring from, sounding more like a band that Clive Barker had imagined than a collection of actual human musicians. And surprisingly enough for all the extreme musical measures resorted to when creating this unique sound; they still end up with something rather, well, tuneful.

If a slice of howling, squalling, insane and possessed industrial noise is the sort of thing that floats your boat, if warped horror soundtracks and spikey, uncomfortable musical salvos are your thing, then Nasty Little Lonely are your very own one-stop shop of horrors.

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Musician, scribbler, historian, gnostic, seeker of enlightenment, asker of the wrong questions, delver into the lost archives, fugitive from the law of averages, blogger, quantum spanner, left footed traveller, music journalist, zenarchist, freelance writer, reviewer and gemini. People have woken up to worse.

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