YYY_Pet_Sounds_Cover_photo_by_Elena_StantonEven in this day where cover versions, sampling and reworking of classic songs is the norm, there are some artists, to me anyway, whose music you plunder at your peril. Do not touch the Leonard Cohen collection unless you are going to find something new to bring out of his dark, sensual visions. Open up the  back catalogue of Tom Waits for no man (geddit?) unable to match his wacky majesty. And don’t go near The Beach Boys, after all, who in their right mind is arrogant enough to think that they could improve on their masterful musical creations? But then again I have been wrong so many times before. That’s the problem with creativity, what might seem like a disaster on paper can turn out to be genius in actuality.

So who is up for a warped, electro-drone version of the Brian Wilson penned classic Wouldn’t It Be Nice complete with tribal Glitter Band drums, 80’s synth washes and crazy Kosmische overtones? No, well, I now what you mean but you should try it some time. YYY’s vision is ambitious to say the least and is so wonderfully avant-garde that you forget that Austin Carson has just put a beloved musical icon through the blender. Separate this version from the original and you have a bone fide piece of exploratory futuristic retro music. If you are unable to separate this from the original then you might see it more as a plundering of the crown jewels, broken down to make a strange musical montage. And if that’s the way you see things then you probably want to have the man behind it tarred and feathered and run out of town. It just depends on how rose-tinted your glasses are and just how sacred your musical cows. Music is like that, its a funny old game.

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Musician, scribbler, historian, gnostic, seeker of enlightenment, asker of the wrong questions, delver into the lost archives, fugitive from the law of averages, blogger, quantum spanner, left footed traveller, music journalist, zenarchist, freelance writer, reviewer and gemini. People have woken up to worse.


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