I may have come to the band late; after all, their first release was over a decade ago, but over the last few years, The Nearly Deads have consistently and quickly worked their way up my list of favorite bands with each successive release. So the news of a full album, the aptly titled We Are The Nearly Deads, was a pretty exciting prospect, I can tell you.

You see, the clever thing about The Nearly Deads, something showcased perfectly on this album, is that they understand how to create, control, and surf collision points. Collision points such as where the infectiousness of pop runs head-long into the bombast of classic rock…

Read the full review at The Big Takeover

Previous articleFred Abong presents Father, new single ahead of Fear Pageant album
Next articleMusic Like Before – Chris Chafin (reviewed by the Night Writer)
Musician, scribbler, historian, gnostic, seeker of enlightenment, asker of the wrong questions, delver into the lost archives, fugitive from the law of averages, blogger, quantum spanner, left footed traveller, music journalist, zenarchist, freelance writer, reviewer and gemini. People have woken up to worse.

Leave a Reply