I must confess that whilst most reviews of this album are going to open with Morriss’s credentials or the announcement of a Bluetones reunion tour, the reason this album excited me was the fact that he covers Sisters of Mercy’s goth standard Lucretia (My Reflection) and I was massively intrigued to hear someone so far outside the genre’s take on such a song.
Normally songs that form a big part of our formative years as The Sisters did with my own become a taboo subject when it comes to cover versions as they rarely eclipse the original in your own eyes, just as only one sequel in the history of film has been better than the original. (*Answer below) So expecting the worst, I actually got something rather fantastic, a gentle, wistful pop version that stood on it’s own legs. Where as Eldritch went for dark testosterone, Morriss goes for late night ambience and fragility and by Jove it works.
As an insight into Morriss’s influences this re-imagining of his own record collection covers some unexpected ground, delivers some wonderful reworking’s and unlike most albums of this type and a far cry from the likes of Rod Stewart crooning half-heartedly through The Great American Songbook, brings something new to the table. Fans of Buffalo Springfield, Madonna, Rain Parade, Jesus and Mary Chain and Scott Walker will, I’m sure, have a similar tale to tell.
*that’s right, Aliens.