bd66efcd3d57e5525f0e83901d9eb57fefa247bb_phixr.jpgI didn’t know people were still making music like this, but I’m glad they are. Double Happiness reminds me of that time when a horde of disaffected post-punks rewired the keyboards they had stolen from music shops to make apocalyptic, futuristic pop in direct defiance to the Leg Warmer and Shoulder Pad Bye Laws of the spring ’83. But it isn’t so much that the song sounds like those new-pop pioneers, more that it fulfills the same role. They sounded futuristic, ahead of the curve, alien even, and so does Mr. MooQ.

It’s a celebratory piece, the title tells you as much, an ode to togetherness and both the song and the video positively snap, crackle and fizz with pop perkiness, a jaunty slice of electronic dance that despite its low BPM when compared with your average clubland banger, packs real punch through its staccato grooves and sheer infectiousness. And unlike most if its dance floor rivals this has the potential to burst out of the dance scene and become an anthem in the fullest sense of the word, the soundtrack to every summer barbecue, wedding reception and event across the globe. Don’t be suprised if you hear it as the theme to TV adds too, its that damn addictive there probably isn’t anywhere it can’t go.

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Musician, scribbler, historian, gnostic, seeker of enlightenment, asker of the wrong questions, delver into the lost archives, fugitive from the law of averages, blogger, quantum spanner, left footed traveller, music journalist, zenarchist, freelance writer, reviewer and gemini. People have woken up to worse.

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