Whilst I am a big believer in music which pushes boundaries, breaks new ground and makes weird musical leaps of faith, I am, like most people, a sucker for music firmly based in more comfortable zones, that just happens to be perfectly executed. And yes, Joshua might easily be dismissed as just another slice of pop-rock, but that is to over look the fact that it is a brilliant slice of pop-rock. If you don’t want to explore the mainly niche and non-commercial back waters of as an intrepid musical explorer then why not juggle familiar musical building blocks and just simply use them to create something more impressive, slicker and infectious than those around you.
And that is exactly what Leah Capelle does so well here. Pop sensibilities are tempered by the song having its foot on a rock throttle, able to power up or decelerate at will, commercially astute writing is driven by pulsing, funky bass lines and wonderful chorus dynamics make this the sure fire sing-along track of the summer.
Pop gets a bad name, has been tarred and feathered by one too many production line, dance routine driven, auto-tuned diva. But this is pop and this is great. This is what pop should be and hopefully can be again, a perfect example of why be “alternative to” when you can simply be “better than…..”
Discover more from Dancing About Architecture
Subscribe to get the latest posts sent to your email.







[…] how to match rock muscle with pop infectiousness to build the perfect pop-rock sound via the song Joshua. This time we find her in a more contemplative mood, one where reflective balladry and emotive […]
[…] always Leah wraps her song in a brilliant pop-rock package, and if previous single Joshua leant more to her pop side of that blend, Docs introduces grittier rock elements, solid riffs and a […]