Rob Eberle has always been adept at writing the most contagious of pop songs and then embedding them in bigger, more anthemic, indie and rock-infused sounds. And never was that more true than with his latest single, “Lying with the Enemy.”
Although starting in understated pop pastures, setting up a groove through minimal beats and rhythmic guitars, once the chorus kicks in, we find ourselves in bigger, brasher, and bolder rock territories. And if ever there was a better way of building a brilliant dynamic than wandering between the verses ‘ accessible pop and anthemic rock of the chorus, I have yet to hear it.
And, it also reminds us that genres are there to be ignored, or at least their boundaries are. As Eberle storms such sonic barricades, blasts his way through old musical demarcations, and swerves expectations and existing comfort zones, you can hear the future of pop and pop-adjacent music being written.
While the song lyrics address the fall out of a relationship that has run its course, a reflective look back at what is not to be, a song littered with broken hearts and no slight feeling of resentment, it is the most euphoric and energized thing that you will hear this week, this month…perhaps even this year.
Why get all depressed about a failed relationship when you can pour all that angst and emotion into the biggest pop tune of the year?
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[…] Rob Eberle’s music often sits closer to the pop spectrum than it does the place where indie or rock are made, but this time out, he certainly heads further into the latter realms. It’s a great musical mix for him. “Forever Ends Right Now” certainly ticks all the right boxes for pop accessibility and mainstream favour, but, in spirit at least, it feels like a song that might have been found on the fringes of pop music back in the 80’s, a time when bands on independant labels were gleefully blurring the margins of the pop/rock divide. […]