La Cinémathèque Française in Paris commissioned me to write and perform the score at the presentation of the restored version of Nosferatu. I was a bit overwhelmed by its success. It was sold out! I wasn’t going to repeat it. But people kept asking…” – explains Jozef van Wissem, speaking about the series of events that led to the recording of his newest LP – “Nosferatu. The Call Of The Deathbird“.

Jozef comments: “In the beginning, the soundtrack was more improvised and reactive to the images, but after a few times, the audience kind of showed me the way.” Van Wissem describes this experience as one of the most unusual in the composer’s discography. Preferring to score the music before seeing the film, Jozef is attracted by how his creation integrates into the structure of a movie. In a minimalistic way. Using only particular sounds and textural elements that speak to you like good prose: “I have the same with literary work,” – agrees Jozef: “For example, the writing of Bukowski. Very to the point, short sentences, but a lot of information in a few words“.

While the specifies of working on a horror film had given a different feel to van Wissem: “I think that music in horror films gives the composer more freedom to experiment than in any other genre. It seems more open. Experimental sound in film nowadays is something producers are afraid of. Experiment is the lifeblood of music“.

I found an old 7-inch single with recordings of extinct birds in a market in Rotterdam,” – explains the composer, speaking about the connection with “The Call of The Deathbird.” Enhancing the sounds of birds singing, van Wissem combined them with the Baroque lute play and suspense-type-of-bass pattern. Manipulating the electric guitar sounds in an alternate tuning, Jozef van Wissem manages to create the feeling of fear, something equal to what the victims of Count Orlok have experienced.

“Nosferatu. The Call Of The Deathbird” is out now via Incunabulum Records. Order the album here.

Nov 3rd: SIGNAL FESTIVAL, CAGLIARI

Nov 5th: LEIDEN FILM FESTIVAL, LEIDEN

Nov 8th: CAFE OTO, LONDON

Nov 9th: CAFE OTO, LONDON

Nov 10th: COLCHESTER ART CENTER, COLCHESTER

Nov 11th: THE LUBBER FIEND, NEWCASTLE

Nov 12th: NIGHT PEOPLE, MANCHESTER

Nov 14th: LA SOURCE BEER CO, BRUSSELS

Nov 15th: POINT EPHEMERE, PARIS

Nov 16th: IBOAT, BORDEAUX

Nov 17th: LA MAISON DE SAVOIR, ST LAURENT 

Nov 18th: EGLISE DE LA MAISON DES CHOEURS, MONTPELLIER

Nov 19th: CAVES DU MANOIR, MARTIGNY

Nov 20th: CIRCOLO DEV, BOLOGNA

Nov 21st: KINO SISKA, LJUBLJANA

Nov 23rd: REPLUGGED, VIENNA

Nov 24th: VRATNICE, ROZNOV 

Nov 25th: ABANDONED METRO, PRAGUE

Nov 26th: STARY KLAZSTOR, WROCLAW

Nov 27th: NIEBO, WARSAW

Nov 29th: BLUE NOTE, POZNAN

Nov 30th: UT CONNEWITZ, LEIPZIG

Dec 1st: BETONHALLE, BERLIN

Dec 2nd: STENGADE, COPENHAGEN

Dec 3rd: FOLKTEATERN, GOTEBORG

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