There is a quote that comes with the press release of Grandview Station’s eponymous album noting that it has been described as “like finding an album in the basement from 1979 that was lost and never released.” To be honest, as a sound bite, that takes a lot of beating in its accuracy and succinctness. Rock music may be having a tough time trying to work out where its future lies, but sometimes it forgets that it is also okay to look to the past, to tip its hat, in this case most probably a dusty and battered stetson, to past glories too.
There is a big difference between plagiarism and torch bearing, between wholesale plunder and weaving gentle sonic tributes through your music and here we are definitely in the realms of wholly original music being made that just happens to walk with a certain familiarity. The songs are fresh and groove laden, they just happen to also leave you with a slightly nostalgic after taste. I think they call that the best of both worlds.
Country vibes, blues structures and rock muscle all blend effortlessly into music that fits on a time line anywhere between late sixties cosmic country outlaws to modern southern rockers, along the way taking in 70’s rock access, 80’s anthemics, 90’s directness and 21st century reinvention. A fine line between rock traditions and moving the ball forward. And even when they aren’t moving the ball forward, they sound like they are having a great time, and you will too. Isn’t that the whole point of rock music?
Crashing By Design feels like a long lost, mid-paced power ballad, a term which even as I write it seems to under sell how deft and dexterous this song actually is. Fall From Grace’s sultry sax intro heralds a subtle and supple mix of late night musical textures and rock vigour and Hate To Love You is that end of festival, fists in the air, sunset swan song. But Grandview Station really come into their own when they go for broke. Acid Rain is a frenzy of psychedelia and Dixie grooves, Where I’m Not Wanted goes on a crazy ride between Austin and Los Angeles, harvesting the raw blues of the former and the skyscrapping musical attitudes of the latter and It Won’t Be Me puts the album to bed with a wonderful dynamic mix of guitar excess and perfectly poised interludes and sounding oddly like James Taylor discovering hard rock….at last.
Music should always be forward thinking, but not at the expense of forgetting where it comes from and Grandview Station know exactly the path that got them to where they are today. Thankfully they are more than happy to use that as the perfect vehicle to drive into a bright future.