Art, for art’s sake. That is quite obviously the mantra at work here. Anyone who feels compelled to create an album as a tribute to and celebration of the life and works of someone as cultish and captivating as Nico has their heart in the right place. In a world where it would seem that a single isn’t written or an album conceived before a group of backroom boys, producers, marketing types, and PR gurus have approved its release, such an album as this latest one from Chris Connelly seems refreshing and increasingly vital…
Read the full review at The Big Takeover
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[…] drums and synths, with bass contributions by Alan Berliant (Chris Connelly, Mavis Staples, Saint Asonia) and Solomon Walker (Liz Phair, Bryan Adams, Morrissey) and the […]