Ecce Shnak debut live version of Prayer of Love and drop West Coast dates with EMF & Spacehog throughout June

Alternative art-rockers Ecce Shnak present ‘Prayer On Love’ Live at Backroom Studios, a class performance of one of the highlight tracks on their debut ‘Shadows Grow Fangs’ EP’. A quintet that seemingly never sleeps, they shared videos for the EP’s high-energy title track and it’s only ballad   ‘Stroll With Me’, just a few weeks ago.

Throughout June, Ecce Shnak (pronounced Eh-kay sh-knock) will be touring with platinum-selling legends Spacehog and EMF, hitting the U.S. West coast. Kicking things off in San Jose, California on June 14, the tour wraps up on June 28 in Las Vegas.

Frontman David Roush is composer, bassist and one of two singers, joined by Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). If there’s a fine line between wild-eyed, inspired genius and utter, irrepressible insanity, that’s where you’ll find Ecce Shnak, teetering on a neon tightrope.

Released via Record Man, Records, this EP showcases incomparable ingenuity and limitless invention, the NYC quintet delivering a sonic experience that blends art-rock and punk energy with some unexpected twists. Running the gamut from slow-burning meditations on love’s indispensability to mockery of the web from the perspective of a time-traveling poet, this EP is an intricately constructed, methodically fashioned, and undeniably offbeat… as serious and logical as it’s entertaining.

Recorded and produced by Jeff Lucci at the Art Farm (NY), this EP was mixed by Nicholas Vernhes  (Animal Collective, Deerhunter, The Fiery Furnaces, Dirty Projectors, Wild Nothing, The War on Drugs) and mastered by Grammy award-winning sound engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend, FKA Twigs, Twenty One Pilots).

Ecce Shnak subverts notions of style, playfully but reverently embracing multiple forms across the spectrum, while addressing weighty themes and notable trivia with striking articulacy. ‘The Internet’ is an eclectic gem that makes a fine mockery of the web from the perspective of a time-travelling poet. ‘Prayer on Love’ is a downtempo groove-inducing opus and the lead track ‘Jeremy, Utilitarian Sadboy’ is a hammering 150-seconds about 19th Century English philosopher Jeremy Bentham,  combining math-metal, post-rock and choral anthems. Folk gem ‘Stroll With Me’ weaves classical guitar into a ballad about a beloved friend who chose to leave this Earth.