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The Moral Crossing – AUTOBAHN (Reviewed by Thomas Haynes)

AUTOBAHN have created an ambitious album that comfortably sits beside the darker parts of Brian Jonestown Massacre with moments of purposeful hesitation that underpin the self-doubt and uncertainties inherent in understanding the moral crossing. _______________________________________________________ Something dark and near biblical lies at the heart of AUTOBAHN’s post-rock progressive second L.P. ‘The Moral Crossing’ Leeds based... Continue Reading →

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A Tribute To The Beach Boys’ Pet Sounds – YYY (reviewed by Thomas Haynes)

Step into a swirling, warping re-imagining of The Beach Boys' Pet Sounds constructed with analog synths, glitchy vocal effects, trip hop beats, and kitten samples… plentiful kitten samples. _____________________________________________________________ I was a tad apprehensive about listening to a full LP re-interpretation of one of my favourite albums, but I’m not sure why, as I happily... Continue Reading →

Throws (reviewed by Thomas Haynes)

Throws' debut album documents an Icelandic adventure through a range of musical styles with soulful vocals and awkward drum beats. The resultant noises can be compared to The XX, slower Super Furry Animal numbers and The Polyphonic Spree. Throws is a collaboration between old friends and collaborators Mike Lindsay and Sam Genders, formally of Tunng,... Continue Reading →

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