Some things just remain part of modern history. The sleek lines of a Volkswagen Beetle, the iconic shape of a Coca-Cola bottle, the fit of the blue jean, the sound of the classic singer-songwriter. And that is exactly where Roddan comes from, a wonderful modern take on the sound that has echoed from San Francisco coffee shops to London folk clubs for more than a life time, the sound of James Taylor, Neil Young, John Martyn and a list of other revolutionary acoustic guitar-slingers.
But if you can see where Roddan comes from it is where he is going which is much more interesting. The references may be openly worn, and the template recognisable, but it is what he builds on it that is the joy. I’ve never really understood the term Americana but there is something inherently American about Bleed. Across just six tracks he travels through folk, country, blues, acoustic rock, balladry, reggae and torch song, often all within one song. Plaintive violin and emotive harmony vocals help tug the heartstrings and the result is a record that is emotive and soulful, built on the best traditions yet bringing something masterful to the table. How great is that?