This record takes a while to get moving. It initially feels like the electronics are driving the artists but after the loops and crunches hook onto a suitable groove the artists enter with shamanic chants and choral calls and responses. This all adds up to a well-considered aural journey.

There are fragments of Swans, Can, Neu and Hawkwind from time to time and these influences combine to navigate a pathway into an original and competent composite artistic voice.

The album has a low countries feel to it. It has a dark underbelly that feels at odds with the more typical easygoing quietness of the region. Definitely more vanitas than well-observed tulips.

‘The End The Score’ is definitely a case of saving the best till last. It is long, expansive and sonically beguiling. I could listen to this till the Charolais come home.

If you like dark noise, loops, chants and a soupçon of pagan ritual with your toasted cramique, this is definitely a record for you. Other breakfast breads are available.

I’ll be looking out for any future work from this collaboration.

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Musician, scribbler, historian, gnostic, seeker of enlightenment, asker of the wrong questions, delver into the lost archives, fugitive from the law of averages, blogger, quantum spanner, left footed traveller, music journalist, zenarchist, freelance writer, reviewer and gemini. People have woken up to worse.

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