
Heal The Haunted pretty much sums up the authenticity of their voodoo blues – heavy of groove, instantly singable yet flecked with deft and clever sonic choices and Roll On takes those same resonant sounds and uses them to build a widescreen, big sky, cinematic feel, all sumptuous harmonies and deftly picked guitar details. Oh My Love is the perfect blend of pulsing, pacy melody and utter infectiousness and Since I Was a Boy sees them bow out with a trashy and wonderfully clattering jam style workout.
It is this last song that best sums up their real attraction. In a world of finely produced pop and cliched rock, slick and sanitised commerciality and style over substance, True Strays remind us of what is really important. Shuffling grooves and driving back beats, bass lines which demand that you dance along, wonderful slidework and singalong vocals. Everything else you can take or leave. Are True Strays a playful detour through rock history? Or maybe a bourbon-soaked bar band from hell? The evidence would suggest both, thanks to a band with the smarts, chops, and passion to make something fresh out of the expansive musical fodder that helped lay its rowdy foundation.
