
Sco-Mule is therefore not only a record of a unique point in time but also describes a pivotal moment in a bands career. What follows is a fairly improvised (only one rehearsal preceded the dates) and wonderfully fluid collection of live instrumental songs. Flitting between jazz and blues, funk, southern rock (the band has its roots in an Allman Brothers side project) and soul, this is a melting pot of all the elder genres, and it is great to hear such masters at work weaving these complimentary sounds together.
Even though it is easy to list the generic building blocks they use to create their sound, some unexpected soundscapes are created along the way. For every recognisable, Scofield, acid jazz signature and bluesy Bonamassa-esque moment, the warped worlds of Zappa and Mingus seem to occasionally overlap just to remind you that this is a group of musicians who can pretty much take their music anywhere they want.
If you thought jazz-rock was the domain of dry and studious academic players or that blues has anything to do with people like Eric Clapton, then this album is the education that you have been waiting for.
