
Anyway, the point is that Siblings of Us is not about pandering to the listener, it is about playing by their own rules. Rules which insist that they take industrial strength synth wave, slightly unhinged falsetto vocals, psychotic pop infectiousness, electronic-rock muscle, retro vibes and futuristic musical predictions, throw them against the wall and see what sticks.
And what sticks is brilliant, in a mad sort of way. Imagine if The Bee Gees had formed a hardcore band using gear stolen from Depeche Mode! Well, now you don’t have to.
