
So if I have established what the record isn’t, lets look at what it is. Dark Moon Lilith at times reminds me of Concrete Blond and their ability to weave introspective lyricism through powerful and theatrical music and similarly to sound like your favourite cult band but drip with commercial possibilities. Songs such as Hiding Place with its jagged guitar riffs, pounding classic rock drive and sultry warmth seeming to sum this up more eloquently than I can put into words.
And as much as I am trying and failing to avoid the term gothic, maybe it is a gothic alternative, music for those who found the likes of The Cure too mannered, Bauhaus to fractious and The Mission too pretentious first time around or who misses the mystic and mythology which used to be an inherent part of rock music before classic rock double-denimed down and alt-rock became all about skinny jeans and complicated hair.
And then they throw World Away at you, a minimalist ballad dripping with pain, heart wrenching emotion, majestic spatial awareness and anticipation and you realise that there is much more to the band than fits into easy generic boundaries, which obviously is how it should be. Considering my own musical journey through the bands mentioned above and particularly along that tipping point where the glamour of the gothic world met the pose and power of rock, Dark Moon Lilith are a wonderful find and one whose dark dramas I shall undoubtedly be spending more and more time with as the nights draw in, the perfect soundtrack for my half-lit domain and fire side hibernations.
