
What you have here is more akin to Paramore’s power pop, or No Doubt without the ska fixation: gritty enough to get on the rock radar and accessible enough to appeal to the more mainstream based punter. No musical barricades will lie smashed in their wake, no traditions trampled underfoot in a headlong rush to break the rules, but right from the opening bars of Twigs you can here a solid approach to their chosen field.
Songs such as Monsters and the title track itself hit the gas pedal a bit harder, combining bravado with a certain vulnerability that comes from Emma Harley’s vocals and there is even the obligatory acoustic quiet-loud-quite Summit, which circles around folk-rock territory, being anthemic and earnest yet again providing a frame that show cases the vocals wonderfully.
5 tracks down the line and no wheels have been re-invented but then most of use just want to travel about in something both familiar and reliable, this e.p. ticks both of those boxes with ease.
