
Having made a name for herself as a sweet pastoral acoustic troubadour, this first release, a teaser for a planned future record has, in my eyes, already eclipsed everything that has gone before. A glimpse of her new sound was presented at a recent live show and although still a bit rough around the edges it raised a whole set of questions not to mention a few eyebrows. Those questions that have now been more than answered by Night Visions.
Drawing a line under what has gone before, writing a whole new set and even rebranding the band White Lilac to obscure that past in a wonderfully “year zero” fashion, her true calling seems to have revealed itself. Chiming electric guitars replace the acoustic strum of before and her voice suddenly seems framed by exactly the right musical surroundings. Cymbals wash in the distance and as a brooding cello helps build the atmospherics you find that where her music was filled with fading summer light and a warm breeze, now there is a moonlit ethereality, a gothic beauty and a spine-tingling expectation. Then the secret weapon is brought into play and a sonorous and sensual saxophone drifts by before the band rock out to a glistening crescendo.
This is not only the bravest musical re-invention I have come across in a long while, also on the strength of this first release White Lilac are a band who I am anticipating great things from.
