
Although there is a narrative to the album, one of romance, fear, the threat of nuclear annihilation and the celebration of life, it is the sweeping synths, instrumental interludes and pulsing eighties electro beats that are the star of the show and the result is the soundtrack to a classic film that exists only in the rose-tinted minds of the band. It is a testament to the albums authenticity that film icon John Carpenter loved the music enough to contribute a voice track to the albums lead track Tech Noir.
For all its backward perspective the album is surprisingly appealing, both to those of a certain age and younger music fans who appreciate the cyclical nature of current bands eighties references.
Those who remember the sixties weren’t really there. Those who remember the eighties probably drink heavily to block most of it out, but if you do want a taste of that much-maligned decade maybe the best way is through re-imaginings like this album….and obviously via a pile of Killing Joke albums.
