
Thankfully that is exactly what is going on in the latest foray into this funky hallowed ground. The original is a blend of groovesome and soulful guitar licks, stomping bass lines and funky, energetic drumming. All good so far. The thing that most people generally get wrong is over filling the space between the backbeat and the vocals, not here, here there is just the right amount of space and anticipation. Brass attacks punctuate the air and backing vocals do no more than underline with raps and shout outs. And the reason for this space is to create a dynamic restraint, which is blown wide open when the white hot, jagged guitar gets its turn in the spotlight.
True to the spirit of the original with just the right amount of originality and freshness to justify revisiting this classic, exactly the fine line you need to walk to make such a cover work. Perfect.
