I think that the art of writing a successful song is being able to marry up the lyrical message with the sonic vibe of the music. So many artists don’t get such a simple and obvious idea delivering lyrics and music which feel as if they are just temporary travelling companions making the best of the situation before heading off in search of a more suitable partner.

Melancholia is pretty much a master class in such sonic synchronicity bit that comes as no surprise as The Sea at Midnight has a solid track record of delivering such seductive packages. Even without the lyrical component, the music itself – the bass pulses and brooding beats, the shards of chiming guitars and spacious atmospheres which accumulate in between – sets the perfect tone. Dark, drifting and delicious, poignant and perfect for the reflective and raw words which ebb and flow above them.

And with a video which is similarly crafted from a stark, monochromatic beauty, Melancholia is the fantastic slice of sound and vision, sonics and sentiment all working in harmony.

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Musician, scribbler, historian, gnostic, seeker of enlightenment, asker of the wrong questions, delver into the lost archives, fugitive from the law of averages, blogger, quantum spanner, left footed traveller, music journalist, zenarchist, freelance writer, reviewer and gemini. People have woken up to worse.

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