It is possible that Nelson King subscribes less to the “if it ain’t broke don’t fix it” philosophy and more to a “if it ain’t broke it’s still okay to beat the crap out of it and sculpt battered and interesting new shapes.” Maybe. What I’m trying to say in my unnecessarily verbose sort of way is that Is There Something is actually the best of both worlds, familiar enough to be immediately engaging yet original enough to bring something new to the table.
At the albums core is a bluesy, boogie, rhythm and booze sort of vibe, good time drinking den music, a rootsy, rock ‘n’ roll bar band sound and whilst it is easy to see where the man is coming from, make some educated guesses about his record collection and swap anecdotes about meeting Ten Years After, its where he takes things from there that makes things interesting.
Let me draw a line connecting the points on that journey, a line connecting West London underground r’n’b venues of the 60’s with smoky, back street Chicago blues clubs of an earlier era, another from New York’s proto-punk scene of the 70’s to the open highways of the west, the soundtrack to a road trip travelling foot on the floor, top down, beer in hand. Another joining rock with roots, the profound with the profane, the familiar with the exploratory. Stare at the pattern of the lines for a long time, and then shut your eyes. The stars dancing behind your eyelids is the music of this outstanding musician.
[…] such a blending of blues, r&b and rock might result in a pastiche of what has gone before, Nelson King knows just which dark and sleazy elements to use to create his wrong side of the tracks music, how […]
[…] being woven, the broken guitar-slinging poet. And that is the thing I am finding that I love about Nelson King’s music, each song reminds me of fallen musical heroes or underrated and under the radar torch […]