rescuing musical virtue in distress.
Having already been wonderfully impressed by Echoes' blend of accessibility and sophistication, its infectiousness and ornate structures, it would seem to be the perfect stepping stone from which to leap into their full-length album. But, as is often the way with singles, it can only say so much about what to expect and, as great... Continue Reading →
Writing about instrumental music is quite an intriguing process. In the absence of lyrics, the meaning and nature of the music have to come from interpreting the feelings and emotion found at the heart of the music itself. But then, it is the same challenge that faces the person making the music, that of wordless... Continue Reading →
Words are powerful things but they are thrown about too liberally these days, especially when associated with music. After all, it seems these days that every second artist is "groundbreaking" or "ahead of the curve" or "the new" something or other…usually The Beatles. Surely, modern music can't be this experimental and adventurous. Don't get me... Continue Reading →
Brooklyn-based underground music veterans Jarvis Earnshaw and Trevor Dunn are gearing up to release their first collaborative album as the TRAVIS DUO - a collection of improvisations based on a set of line drawings and diagrams drawn during lucid dreams. Aptly titled 'Hypnagogia' of or pertaining to the period of the transitional state between waking life and dreams: hypnagogic hallucinations). For this project,... Continue Reading →
There is something fascinating about reviewing music sung in a language other than your own. If I was listening to music that was part of the modern western pop canon, then it would be easy to be led by the lyrics, to be taken by the hand and gently dragged to the place that the... Continue Reading →
There was a time when the term "world music" seemed to be a pointless label. It was used to describe everything from Classic Indian music to Bulgarian folk choirs, Latin salsa bands to Australian aboriginal sounds; as a phrase, it was so broadly stretched as to be almost meaningless. But as we moved into the... Continue Reading →
Ask most people what comes to mind when you mention funk music and you might be met with terms like heavy bass, wah-wah guitar and the image of Bootsy Collins wearing silver platform boots and star-shaped sunglasses. To be fair this would describe the funk from America, the hybrid of soul and RnB that depended... Continue Reading →
Jazz music can, to us outsiders at least, sound ornate and complex, dense and impenetrable. And whilst that may or may not be true, this view has come about through people's encounters with the music which lies at the more extreme end of the spectrum. Marius Billgobenson makes music about as far away from that... Continue Reading →
Atlantic Curve are thrilled to announce that 'Burn', the new album by Lisa Gerrard and Jules Maxwell, produced by James Chapman (MAPS), will be among the first commercial music works to also be available as an Non-Fungible Token (NFT) on the eco-friendly platform Hic Et Nunc. The album, which had its traditional digital and physical release on May 7 via Atlantic Curve, a London-based... Continue Reading →
I have never been one for surprises, my skin practically tingles like Spiderman when somebody suggests they have a surprise for me. I do not want to arrive home evening to find the lights off and my friends hunkered behind the sofa and doorways ready to shout “surprise!” on my birthday. Yet, in music, I... Continue Reading →
Given Jane Jensen's past musical endeavours, particularly as part of the all-girl "spunk band" The Dolls, and her close association with the likes of Troma Entertainment and the world of comic books, Enchant, might come as a bit of surprise. But there is one thing that links all of those projects, not to mention her many roles... Continue Reading →
Atlantic Curve, the London-based label that is part of the Schubert Music Europe group, has announced the signing of Lisa Gerrard and Jules Maxwell, best known for their work as part of the legendary band Dead Can Dance. They will be releasing the 'Burn' album on May 7, 2021, produced by James Chapman of MAPS. Gerrard and Maxwell began working on the album in Australia... Continue Reading →
With a lot of artists, it is easy to set the scene before heading off into a the rabbit hole of writing a review. So many seem to have a definite direction of travel or a style or sound which is easy to sum up in a few short soundbites. But where do you start... Continue Reading →
I cover so much contemporary, western music on this site that it is easy to forget that culturally, as well as, geographically, the world is still a very big and diverse place. It is music such as Moon Rituals which makes for the perfect reminder of such a fact. For every chart-seeking pop star with... Continue Reading →
Not all music is made to satisfy the more everyday urges. Yes, we all like an uplifting tune whilst we get ready to go out on a Friday night, a catchy singalong on the jukebox at the bar or a rousing anthem to help us let off steam but as musical iceberg analogies go, that... Continue Reading →
I was, for a long time, concerned about the state of music. Not sonically speaking but that in these darkening and divided times it had lost its true voice. After all rock ’n’ roll, punk, hip-hop, grunge and most other important musical scenes grew out of disenchantment and frustration and if the state of the... Continue Reading →
Reviewing music from the ‘World Music’ category is difficult. You’re challenged by fact that the lyrics to the songs are sung in a language other than English and therefore you lose the chance to write about the words and the stories within these songs. But, as a result, you’re challenged to listen to the music... Continue Reading →
We hear so much about World Music these days, a phrase so broad that it borders on meaningless, just a lazy way of labelling something with a more culturally specific name, be it Balkan folk, Afrobeat or groovesome Latin Salsa. To really qualify for the term surely you would have to be making music which... Continue Reading →
There may be folky, western vibes at the heart of Refugee, but it revels in sonic ideas garnered from across the globe, with a particular love for the sounds of south-east Asia, the tabla drums and flitting flutes adding exotic balance to the more familiar instrumentation. And although I don’t really like the term World... Continue Reading →
Writing about a song that is being sung in a language other than my own has both disadvantages and advantages. On the down side, without that direct lyrical communication the song's narrative and meaning is going to pass me by. But this also leads to the big plus point, that if I don’t have the... Continue Reading →
Some music fits neatly into custom built, generic boxes and there is nothing wrong with that. But fad and fashions come and go, tastes change, music moves on and I find the music which survives, which continues to be relevant, which may even one day be regarded as classic is that which seems to be... Continue Reading →
There are many reasons to cover other peoples songs and in my opinion most of them are not really very honest. I know that you can make an argument for tradition and wanting to honour your favourite songs but for my money, unless you can bring something new to it then all you are doing... Continue Reading →
If you like your music to come with a heavy dose of drama and no small amount of pathos then Through Infinity are definitely going to tick a lot of boxes for you. Wandering between a sort of theatrical rock and the more intricate and exploratory end of the genre, they also blend in graceful,... Continue Reading →
It must be difficult selling a foreign-language album into the already saturated market of English-speaking releases, sure we all like an occasional ‘Gangnam Style’ or ‘Despasito’ to shake it up, but on the whole English-speaking music fans like English speaking bands. So, to combat this, the music has to be good. Duke Ellington once said,... Continue Reading →
As every student of Greek mythology will know, Dionysus was the son of the mortal Greek Princess Semele and was fathered by Zeus, but after Semele’s death (of fright after Zeus revealed his Godly power to her) Zeus took the unborn Dionysus and attached him to his thigh until his birth. Pretty grand stuff, even... Continue Reading →
They say that in life - and in music - timing is everything, and within ‘The Darkness Between the Leaves’ comes the feeling that we’re leaving summer and entering into the changing season of autumn, which, as I write this, we are. The album opens with the words “the nights are getting colder, the summer... Continue Reading →
When you hear the term “holiday music” what springs to mind depends on which part of the world you are from and what your cultural heritage sounds like. With this in mind Greg Herriges has collected together music which goes beyond the Holly and The Ivy of the western Christmas traditions and recorded, reworked and... Continue Reading →
All manner of musical genres and bi-genres end up in the pile of cd’s I get to look through and review, anything from folk or acoustic singer/songwriter to various offerings from rock, indie and punk but occasionally something turns up that stops you in your tracks and makes you think or (in this case) say... Continue Reading →
There are a few odd and almost indefinable generic terms in music, handles used mainly by lazy journalists, like myself, to easily box music, the draw lines of demarcation in an effort to say it is one thing or another. Of all of them the worst is the term "world music"…music that is representative of... Continue Reading →
Dead Can Dance have announced details of a brand new album entitled ‘Dionysus’, which is set for release on 2nd November via [PIAS] Recordings. ACT I : Sea Borne - Liberator of Minds - Dance of the Bacchantes ACT II : The Mountain - The Invocation - The Forest – Psychopomp Pre-order the album and... Continue Reading →
