rescuing musical virtue in distress.
Using a staccato and hesitant structure to draw the listener into this understated single is a clever device, and soon you find yourself wandering through a tense, emotive and gently anthemic (oxymoron? probably but you know what I mean) soundscape. One that has the pace and poignancy of a ballad but the power of a... Continue Reading →
There is something slightly nostalgic, easy and comfortable about the lazy beats and the warm feeling you get as you listen to Like We Used To, but that is a deliberate move. Understanding that music communicates as much to the soul as the lyrics do to the brain, Coral Moons have created a wonderful twin... Continue Reading →
If ever you needed proof that the only thing that separates music genres is the labels and divisions that we make for ourselves, especially now that geography is no longer an issue, this latest single from Chris Murphy is it. Try to find the place where folk merges with country, Celtica with Americana, blues vibes... Continue Reading →
The last time I had Chris Murphy under my pen it was to discuss the understated, cinematic and ambient creations of Seven Crows. This time out it is for a return to his more signature sound…if someone as creative as Chris could even be said to have a signature sound. Sovereign sees him back in... Continue Reading →
Most of the world has spent the past year just wondering how to get through these isolated and locked-down times. But, with some light finally glowing at the end of the tunnel, the question seems to be more about who you want to be as you emerge blinking into the light of the new normal.... Continue Reading →
As soon as I heard the track This, I thought that I was going to be presented with an album of busking style songs. Not that there is anything unprofessional about the production but there is a sort of ragged glory to that song. But check out the full album and you realise that there... Continue Reading →
Right from the start, there is a wonderful longing to be heard in the music that Myles Cochran makes. You hear a nostalgic yearning for the big skies of American, the place he first called home, but also for the more intimate landscapes of his adopted UK place of residence. But the traditional sounds of... Continue Reading →
There has always been a social and political undercurrent to My Politic’s songs. Stories as songs, narratives about family and traditions, the working man, tales of the home, the hearth, of hope and reflection and the American spirit all wound into gentle mythologies and relatable histories. But something has changed for My Politic since 2017’s... Continue Reading →
The art of painting makes for a great allusion when it comes to describing music. Some pieces are built of riots of colour, paint liberally applied and full of texture others are fashioned from delicate washes used in harmony with the emptiness of the blank canvas to merely outline the subject. In such an analogy,... Continue Reading →
There are many myths and fallacies to be found witinin music. The biggest has to be that it is a younger persons game. Perhaps from a marketing point of view for fly-by-night indie bands or transient pop-tarts, but when it comes to what really matters, the music itself, how can it not improve as the... Continue Reading →
There are two assumptions that could be drawn when you listen to any album which seems to wander between a whole range of genres and heads off to explore various musical tangents. Either the artist is unfocused, inconsistent, perhaps even unsure of themselves or they feel unbound by generic convention and they chose the style and... Continue Reading →
It’s been a while since Jay Elle emerged from the towering stacks of new music to be reviewed on my desk but I remember the ep last time around, Rising Tide, being a great collection of songs which blended accessible pop spirit and a more rootsy approach to instrumentation and delivery. And it would seem... Continue Reading →
Last time out Sean Shiff delivered that rarest of things, a song about politics that wasn’t political. By that I mean that he showed us the gentle art of talking about our differences without taking sides, something that we seem to have lost. But if That’s Just Fine saw him delve into social commentary, Medicine... Continue Reading →
It’s always fascinating to track an artist’s evolution over a number of years and Tamsin Quin is someone who has followed a wonderful path as a musician, artist and performer. To be honest, it’s always been in her, even in the early days a certain charm and charisma, humour and confidence was obvious and the... Continue Reading →
Family Tree is a timely reminder that as humans, no matter where we come from, whatever our situation, our back story or life journey to date, there is always going to be more that connects us, more common ground to celebrate than that which seperates us. It’s worth remembering, more so now that ever at... Continue Reading →
Just as before, Shadowfields bring us a song that is happy to wander around in the centre of a Venn diagram at a point where pop, rock, ballads, high-drama, soothing sounds , gypsy vibes and emotive roots styles all have some sort of interplay. As with Awake, it isn't quite one thing or another and... Continue Reading →
No matter what your rootsy preference, Tentrees and Haldane seem to have things covered. Grit is a suite of songs which effortlessly combines the best aspects of acoustic, folk and country genres. The playing is a deft and intricate without seeming showy or unnecessarily bandwagony, concise picking and lovely riffing provides a structure which is... Continue Reading →
Forget, “you had me at hello, “ this latest musical jaunt from TTMTMS had me at the cover illustration, one seemingly taken from an Edward Lear publication. Not that it says much about the music itself but it does tell me something about the way they think and the things they find amusing. Truth be... Continue Reading →
Roots music, like most generic labels, is too broad a term to really convey anything useful to the listener. It covers all sorts of world, folk and traditional sounds, sounds that seem to lie at the beating heart of one culture or another and also seems to imply a nostalgic backward glance to a sound... Continue Reading →
Rhode Island four-piece Deer Tick have put together something of a miniature ‘Best Of’ compiled from selected songs from their two previous albums (Deer Tick Vol 1 and 2 respectively) but have also included cover versions of songs that inspired the original recordings AND new compositions, so, all in all, a bumper pack of audio... Continue Reading →
Sven Jørgensen freely admits to being a a fan of nineties music but unlike many others enamoured with the era, instead of ploughing a singular music furrow, of trying to rework Brit-pop, resurrect the Seattle sound or wander some dusty alt-country byways, he takes a much wider approach. For whilst the sound of On/Off Generation... Continue Reading →
No video for this one, just a slice of emotive and minimal Americana from one of the best bands on the UK roots circuit. Case Hardin have been slowly building a strong following through energetic and heart-felt live shows and some finely crafted songs. This mellow moment comes from the album PM, but you can... Continue Reading →
It’s reassuring to find Arthur Rivers exactly where I left him last time, kicking off the album with the previously encountered single You’re the Ocean Waves, You’re the Sea. And although this gentle and wonderfully wonky folk creation gives you a hint at the soft textures and delicate treatments that make up the rest of... Continue Reading →
On an increasingly packed shelf of roots music stands an artist who is quietly going about his business, blending and blurring the lines between country, folk and blues and playing shows all over the place, and picking up friends and followers as he goes. If you’re a follower of Mark Harrison, or keep an eye... Continue Reading →
Frank Sinatra once said “it’s not the song it’s the singer” and if singers are your thing you should definitely listen to the growly voice of North Carolina native Malcolm Holcombe. With a voice like a canoe being dragged across the pavement his earthy, world-weary words turn these country songs into fables and brings a... Continue Reading →
Gregory Alan Isakov’s new song, 'Dark, Dark, Dark,' has just premiered publicly. Of the album, Billboard proclaims, “The 12-song set wound up sounding more characteristically ruminative…blending a gentle spaciousness with dusky atmospheres and carefully nuanced textures.” 'Dark, Dark, Dark' is the third track unveiled from Isakov’s anticipated new album, 'Evening Machines'. The release, his first in partnership with... Continue Reading →
My knowledge of folk is limited, I find it hard to listen to the British working-class stories of toil, trouble and industry, but I admire and respect the roots of the genre. The instruments; acoustic and organic, the lyrics; heartfelt and honest and the genres popularity grows by the week. What Colorado-based singer/songwriter Gregory Alan... Continue Reading →
Those with their ear close to the grass roots end of the music spectrum, the place where jobbing troubadours and sonic dreamers wander with little concern for fame and fortune, have long been aware of the potency and potential of both David Celia and Marla for many years. One an expert in pop melodies and... Continue Reading →
It’s nice to know that in this age of meticulous studio production, where even the smallest amount of natural talent can go a long way with the right engineer and the right box of tricks, that some people are still making albums in much more honest ways. Tony Rose’s solo album is just such a... Continue Reading →
