rescuing musical virtue in distress.
Sometimes you just need to escape the hustle and hassle of the rat-race. Sometimes you need to forget your day to day worries and cut loose. Sometimes you need to leave your problems at the door. Sometimes you need music like On Da Floor. Its an anthem to having a good time…make that a great... Continue Reading →
Genres eh? Who needs them? Certainly not The Amber Bugs. As their track record shows they are as happy funking up as they are rocking out, as deft with reggae grooves as they are jazz refrains, as comfortable delivering punk chops as they are weaving pop melodies. And best of all, they have a wicked... Continue Reading →
Lockdown has had, and continues to have, a marked effect on all of us. Some have used this time to count their blessings, others to pull together, many have welcomed this forced hibernation and others have even raged and ranted against their perceived loss of liberty. All of this is equally true of the artistic... Continue Reading →
Strength n Dreams is exactly what it says on the tin, so to speak. A two-track release, one titled Strength, the other, you guessed it…Dreams. Why don’t all artists make this uncomplicated? Anyway, Strength is a cool, mid-paced tune, a light, pop-infused, ska driven, reggae groover, one which ticks enough sonic boxes to keep the... Continue Reading →
The list of music to which Kevin Flournoy can claim a stake, be it as a producer, keyboardist, songwriter or arranger, is so extensive that it is highly unlikely that you haven’t heard his work, you just may not have realised it. Under these various roles his output covers so many sounds and styles but... Continue Reading →
The man himself describes this little side-project from his usual musical activities, using the wonderfully self-deprecating words, “ mid-life crisis.” If it is, he should have more. Many more. And before you all get up in arms defending his long and admirable back catalogue and dedication to the ska-wars and the ongoing reggae rebellion, I’m... Continue Reading →
There is something wonderfully infectious about the Reggaetron grooves and easy rhythms that ooze out of Darshae Kiér ’s latest release. Reggae has always had a back end sound which is hard to not be beguiled by and the dance floor has always been driven by beats which make you want to move. Halasana Girl... Continue Reading →
Since their formation in early 2006, Gentleman's Dub Club have made a name for themselves as one of the most respected names in dub/reggae music. GDC have been on tour for nearly 13 years, are festival favourites across the UK and Europe, and have found themselves regularly playing to crowds of 10,000 or more. Having sold out... Continue Reading →
Unless you’re a fan of reggae you possibly wouldn’t be aware that reggae has spent the last few decades stretching away from the stereotypical ‘chung-chung’ guitar and has found it’s feet in other genres and sub genres that has not only enhanced the music but also widened the possibilities that the music can move into.... Continue Reading →
There is a real art to taking a song as well known as this Bill Withers' classic and presenting a new version to the world. Stick too closely to the original and you are really just ridding the coat tails of the original artist, re-work things too much and you run the risk of alienating... Continue Reading →
Reggae is cool in any language, to be honest, the great thing about all music, at least all music that is doing its job properly, is that it transcends language but loses none of its appeal and sonic profundity just because you don’t have a translator to hand. This time out, Pierfrancesco Maria Rovere is... Continue Reading →
Funny how when we hear the term “world music” we automatically think of some niche music probably aligned with a specific tradition or culture, Mongolian throat singing, flamenco guitars, Japanese drum troupes and the like. But surely world music should just be something with universal appeal, that falls less into a generic furrow and more... Continue Reading →
Reggae is cool in any language, to be honest, the great thing about all music, at least all music that is doing its job properly, is that it transcends language but loses none of its appeal and sonic profundity just because you don’t have a translator to hand. This fourth time out for Eljuri as... Continue Reading →
It seems to me, admittedly a non-expert in the genre, that reggae and ska, like many other genres (punk and rock music, I’m looking at you) are very good at looking back at their glory days rather than attempting to write their own bright new future. Yes, music of Caribbean origin has already contributed so... Continue Reading →
Roots music, like most generic labels, is too broad a term to really convey anything useful to the listener. It covers all sorts of world, folk and traditional sounds, sounds that seem to lie at the beating heart of one culture or another and also seems to imply a nostalgic backward glance to a sound... Continue Reading →
It’s often interesting to read the press release for albums that fall into my paws, sometimes the description that has been put forward is at odds with the finished product that finds itself booming out of my speakers. Descriptions like ‘life-affirming’, ‘game changing’, ‘powerhouse’ and ‘the next great act’ accompany these albums so it’s sometimes... Continue Reading →
This is the third time I have reviewed a release from this artist in as many months, you can’t deny that he has to be one of the hardest working rappers out there. You would have thought that by now I would be getting quite familiar with his style, his approach, his attitude towards making... Continue Reading →
If Two-Tone was the perfect storm of the imported Jamaican ska and reggae sounds and the punk spirit and wild energy that was fermenting in British inner cities in the late 70's then Rude Rebels is nothing short of a continuation of that story. Far from being a nostalgic look back it is a glorious... Continue Reading →
MusicBySire understands the power of music. Last time we caught up with him he was raising awareness for the oppression of modern slavery with Black, here he has a more universal message. Better That You is an anthem of faith and of walking your own path, of holding on to your beliefs and ignoring those... Continue Reading →
I have to admit that as a new name to hit the review pile I was more than pleasantly surprised at Slightly Stoopid’s latest, and ninth, album. Always one to judge books by covers (hey, we all do it) and on this occasion the music by the band name, I was relived when what emanated... Continue Reading →
Arriving on 5th October 2018 as the eagerly awaited follow-up to their benchmark album, 2016's ‘Be Strong Troop On’, the dynamic duo of Richard & Robert Harrison make their return and clearly mean business. A fusion of molten rock wig-outs, frenzied acoustica, riled-up reggae, and bastardised blues; ‘Kin’ is one hissing cauldron brimful of budding... Continue Reading →
Protoje returns with Chronixx for their first on-screen visual since the massive 2014 anthem "Who Knows," which has garnered close to 80 million Youtube views. The duo reunite in Port Royal, Jamaica for the cinematic visual of Protoje's latest single "No Guarantee" off his new album ‘A Matter Of Time’, out now via Mr Bongo... Continue Reading →
On the 24th of August, The Marley Family, Island Records, and UMC will collectively proclaim the sun is shining in celebration of 40 years of Kaya, Bob Marley & The Wailers’ historic March 1978 release. The album's themes of love and peace have resonated across the world and the record reached the top 5 in the UK... Continue Reading →
Let’s start with some generalisations. Music isn’t concerned with cultural or geographical boundaries any more. We live in a post-genre world. The best music ignores rules and regulations and mixes and matches its sounds and style as it choses. It is why you find artists such as Sarah Musayimuto, a Copenhagen based, Ugandan artist who... Continue Reading →
If the likes of Drake and Kanye West represent a current point on a musical timeline that started with the hip-hop experimentation in the South Bronx of the early 70’s, then Skorpioh sits at a similar point with respect to the ska, rocksteady and reggae music which emanated out into the world from the Caribbean... Continue Reading →
There is something boundless about Go Go Satish (aka Satish Dat Beast) music and it comes as no surprise that his own personal story is one that has seen him grow up and travel in many different and varied cultures, from South America to Europe and of course his native USA. And it is this... Continue Reading →
It’s funny how the idea of a flat earth has become a major point of contention, a stand against academia, experts and scientific thought. I’m not really sure where these particular Flat Earth People stand, whether they are for, against or just being wilfully controversial, but to be honest it doesn’t really matter, it is... Continue Reading →
Certain genres of music are, quite stereotypically, associated with certain themes. Punk and reggae with political issues, rock with escapist high drama, folk with history and traditions and ska, and its UK offspring two-tone, often with social commentary, civil rights and unity. So gathering the great and good of ska, rocksteady and reggae to record... Continue Reading →
I always knew that there was something a bit special about Rhett Repko. If Where You Ever Really Mine? hinted at the eclectic and adventurous nature of his musical thought process, this new offering really hammers that point home. Last time out he played with nothing less than pop reinvention, a slick re-presentation and the... Continue Reading →
When the term “world music” crept into the public consciousness it tended to be the domain of a certain type of guy (and it generally was a guy). One who would use the fact that you hadn’t heard of a certain Moroccan hip-hop/jazz fusion band or his new favourite Mongolian Tuvan choir, to play his... Continue Reading →