Although the world occasionally moves forward through leaps of faith and lateral thinking, generally it advances through more gradual and accomodating steps. And this is certainly true of music. Forget all of those jarring fusions of conflicting genres, which those looking to create the next fad and fashion try to sell us as the first... Continue Reading →
Nothing Ever Happens To Me – Deep Rivers (reviewed by Dave Franklin)
The merging of folk delicacy with indie cool has been one of the success stories of recent times. It has brought the beauty of folk styles to a whole new audience and has given indie music an unexpected new avenue to explore beyond the pose and pretence of the mainstream. Deep Rivers is a band... Continue Reading →
Alluring Thorns – Lily Phoenix (reviewed by Dave Franklin)
Some of the best music is found where opposites attract, where genres merge, where worlds collide, musical and otherwise. And that is perhaps what makes Alluring Thorns such a beguiling and endearing prospect. Actually, there is no perhaps about it. It's an elegant and eloquent folk song, one which tips its hat to medieval vibes... Continue Reading →
The Lost Trades EP – The Lost Trades (reviewed by Marcus Kittridge)
If you find yourself looking for a great example of gestalt, then look no further than the band that is The Lost Trades. I've seen these guys perform individually before but what has happened by this coming together is truly transformational. They have a natural ability to gather together a tight vocal harmony that would... Continue Reading →
Andere – All Diese Gewalt (reviewed by Marcus Kittridge)
To be perfectly frank I've struggled to review this album but with some perseverance I found an inroad on the third listening. Initially I found the vocal and language particularly jarring. I love European sounding recordings but confess I'm generally drawn to the French and Eastern parts of the eurosound spectrum. However, once I found... Continue Reading →
The Last American – Ali Aslam (reviewed by Dave Franklin)
We keep hearing that the world is becoming an ever smaller place. Most people take that to mean that things such as travel and technology are making us more connected, more accessible, more globe-trotting. But for me, the most interesting aspect of the concept is the merging and creative collision of cultures which goes with... Continue Reading →
All Fucked Up – Philip Parfitt (reviewed by Dave Franklin)
Whilst still swirling with the echoes of previous influences such as The Velvet Underground, the Rolling Stones and emotionally connected to any number of older, purer blues artists, All Fucked Up sees Parfitt head into quieter sonic territory, the perfect balance between sweetness and vulnerability, pop accessibility and off-kilter outsiderness, hushed tones and heartfelt honesty.... Continue Reading →
Warm Hands – Davey Woodward & The Winter Orphans (reviewed by Dave Franklin)
Davey Woodward has done it all, musically speaking. From the brilliant Brilliant Corners' diverse palette of indie, pop, country, rock ’n' roll, post-punk and trade-mark humour through the equally delicious Experimental Pop Band, solo albums and as part of alt-guitar band Karen, there are few genres which he hasn’t wandered through, always putting his own... Continue Reading →
Hold On To Love – Harbor & Home (reviewed by Dave Franklin)
You have to love a bit of sonic tease. Okay, the first track drifts by innocently enough but soon you realise that you nearly a minute in to the second track and little apart from the building of hazy sonics has happened and you begin to wonder what this is all about. Then Follow Me... Continue Reading →
Higher Love – Beth Snapp (reviewed by Dave Franklin)
Songs are covered for any number of reasons. Sometimes it is a genuine love of the song in question, other times a more calculated move to ride the coat tails of a past classic. Beth Snapp has a very different, more interesting, more meta take on things releasing her own take on the Kygo remix of the Whitney Houston cover of Steve... Continue Reading →
The Sand Reckoner – The Last Charge of The Light Horse (reviewed by Dave Franklin)
I've said it before and I’ll say it again, The Last Charge of The Light Horse is one of the best names for a band I have come across in a long while. Add to that the album title sounds like a character in a Jeff VanderMeer novel and its cover is a lovely and... Continue Reading →
Joy Follows Like a Shadow That Never Leaves – Rich Jacques (reviewed by Dave Franklin)
Rich Jacques has long known, and consistently proven, that music can be more powerful, more perfectly poignant, when it is used sparingly. It’s all very well to load up the musical space with all manner of instruments, double-tracked and ramped up, over-driven and over-played, if that's all you know, rock bands do it all the... Continue Reading →
Visions of a Perfect Life – Liam Moore (reviewed by Dave Franklin)
Right from the word go there is something wonderfully captivating about Liam Moore’s vocals, not just the grace and gorgeousness of the delivery but the mystery which seems to ooze from these opening lines. And then he ushers in a cool baroque-folk-pop groove and Cosmic Noon is up and running, cool, charming understated and the... Continue Reading →
In The Dark – The Jorgensens (reviewed by Dave Franklin)
Although more often found weaving together musical building blocks with a more nostalgic and classic sound, In The Dark reminds us that, just like everyone else, The Jorgensens live in and are affected by the events of the modern world. Musically it embraces a much more contemporary sound, albeit one built around brooding cello undercurrents... Continue Reading →
My Own Devices – Myles Cochran (reviewed by Marcus Kittridge)
This EP opens with an airy guitar track that took me right back to Vini Reilly's Durutti Column. Beautiful echoey plucked notes meander around a simple drum rhythm evoking warm summers and wistful idling. This theme continues and becomes more layered and textured as the time drifts gently by. There are moments of Celtic influence along... Continue Reading →
Walking Apollo e.p.- Walking Apollo (reviewed by Dave Franklin)
It’s always tough ploughing the singer-songwriter, acoustic troubadour furrow. Tough because there is such a legacy of great music already set in the musical stone. Tough because there is so much competition for the ears and the disposable incomes of music fans and gig-goers. But how do you stand out from the pack, particularly when... Continue Reading →
Light After Loss – Meghan Pulles (reviewed by Dave Franklin)
I’m always interested to find out just what genric description an artist is happy to use to describe their music. Most generic descriptions are limiting at best, at worst irrelevant, but occasionally you stumble across a gem. Meghan Pulles has used the term “emo-positive” at times to describe what she does and I find myself... Continue Reading →
An Ounce of Gold – A Choir of Ghosts (reviewed by Dave Franklin)
I’ve listen to a lot of folk music in my, not so short, time on this earth and I’ve never come across anything quite like this before! To be honest, the term folk music probably doesn’t really do the album justice, for whilst there is folk music at its core, and a number of songs... Continue Reading →
Where The Light Comes In – Ben Noble (reviewed by Marcus Kittridge)
This recording starts with a beautifully spacious sonic landscape that took me back to the time when Kate Bush experimented with the latest in Fairlight synthesizer technologies. Towards the end of the first track, big crescendos build from nothing to a dazzling ball of musical complexity. 'Bluebird' is driven along by a lo-fi 8 bit... Continue Reading →
Same Old Story – First The Winter – (reviewed by Dave Franklin)
There is an art of building a song, to creating understated atmosphere and tingling anticipation before unleashing into the musical Sturm und Drang that is the pay-off. And if part of that art is to keep the listener hanging on for as long as possible until they have abandoned all hope that there is even... Continue Reading →
The Story Of Ian Prowse – Ian Prowse (reviewed by T. Bebedor)
Music tends to fall into one of a few categories; there are the musicians who deserve the title, they know their instrument inside out, know music theory inside out and can create and structure a piece like an architect. Everything in its correct place, the building blocks are the chords, melody and rhythm, yet they’re... Continue Reading →
Between Stones – Owen Tromans (reviewed by T. Bebedor)
As 2019 ends and we move into a new year it was with much excitement that I grabbed a cd from my haul of things to review but without knowing it I had a small pile of albums from last year that had somehow fallen by the by so the first album of the year... Continue Reading →
Old Flame – Charlotte Grayson (reviewed by Dave Franklin)
I sometimes cast my ears around the current pop scene and do that cliched, grumpy old man thing…"it was all better back in my day". It wasn't but with the onslaught of TV talent show wannabes and the synchronised dance routine driven videos which pour out of the ivory towers of the “music industry,” it’s... Continue Reading →
The Honest Me (Part 1) – Maxime (reviewed by Dave Franklin)
Given the musical theatre surroundings which formed Maxime’s formative years, it is hardly surprising that the drama and style of some of that world has crept into his music. But this formal approach is tempered by the fluidity of pop, folk and indie sounds and the result is an album which benefits from the best... Continue Reading →
Reasons to Breathe – Chris McEvoy (reviewed by Dave Franklin)
Anyone can write a song! You want proof, just turn the radio on. It isn’t even that hard to get it recorded, modern studio technology being what it is. No, the art of ending up with something that really stands out is having a song which was worth writing in the first place. Something meaningful.... Continue Reading →
In Constellation – West My Friend (reviewed by T. Bebedor)
If you ever you hear Canada’s band, West My Friend‘s music described as ‘folk’ feel free to storm away in disgust at such a mention because although folk lies at the heart of the trio’s sound, there is so much more. It’s a little like saying Pablo Picasso was a painter, or Muhammed Ali was... Continue Reading →
Never Turn You Down – Tony Levitas (reviewed by Dave Franklin)
If Never Could Be Wrong was build on fierce melodicism and the most restrained of rock urges, this time out Levitas starts from a more delicate platform. Taking acoustic guitar rhythms and dexterous piano lines, the song runs on a lilting and likeable groove, one that is spacious and light and uses little more than... Continue Reading →
Fred Abong announces tour dates with Throwing Muses and Kristin Hersh
After successful tours in the UK and US East coast, Fred Abong will soon be touring the West Coast and Midwest with Kristin Hersh and playing several live dates with the influential art-punk band Throwing Muses in support of his new 'Pulsing' EP, a six-track offering released in spring of 2019. It is fitting that Abong should... Continue Reading →
Johnstown – Oh Susanna (reviewed by T Bebedor)
Like all art forms, music is at it’s best when it divides opinion, creates conversation and brings about strong feelings, after all, art is something created for others to experience. Back in 1998 Canadian singer songwriter Suzie Ungerleider recorded ‘Johnstown’, an ambitious debut album that has been described as a contemporary folk-noir masterpiece and gained... Continue Reading →
Everything So Far – Paul Den Heyer (reviewed by Dave Franklin)
Dripping with the same hazy beauty as Mazzy Star, the shimmering textures of The Byrds, the understated soundscaping of Ride wrapped in a wealth of reflection and positivity, this perfect blend of timeless folk, lush late 80’s indie and 60’s West Coast psychedelic pop is one of those sounds that you know that you are... Continue Reading →