rescuing musical virtue in distress.
Sometimes it feels as if the unseen hands of the Gods of Music do indeed guide us along certain paths. Anthem is one of a collection of songs which first saw the light of day 20 years ago as part of a demo CD and until the recent pandemic stepped in and put a halt... Continue Reading →
As the recent brace of songs, “Rose Devoid of Form” and “Everything at Once Forever”, makes clear, The Academy of Sun is equally at home with the heart-aching and cinematic as it is with full on rock ’n’ roll. Perhaps tell me about the bands influences and musical plan of attack? Nick Hudson: We don’t... Continue Reading →
Song titles can tell you a lot about an artist. With a tryptic of intriguing titles making up the middle part of this record, namely “The Biscuit (Who Grabbed My Face)”, “Diet of Worms” and the gloriously named “The President of The United States Is The Breitbart Bimbo” tells me all I need to know... Continue Reading →
Songs, if fashioned properly at least, have the ability speak through their music whilst having a second conversation via their lyrics. The art of it of course is to make sure that both musical dialogues are in tune (pun intended) with each other. Magdalene is the perfect example of just how you do this. If... Continue Reading →
California indie-pop band The Corner Laughers are back in action — exploring themes from climate change and pastoral ponderings to childhood to the nature of time itself. Temescal Telegraph, the new album out June 5 via Big Stir Records, stands as a lively testament to the longtime band being back in full bloom. After 2015’s... Continue Reading →
I used to lament that music had, in many ways, lost its most powerful purpose. Of course there is nothing wrong with music being throwaway, a flippant, short shelf life product, designed to take your mind off the working week just gone or to give you something to dance to, to turn a frown upside... Continue Reading →
I don’t really listen to a lot of pop music these days, not the type of thing found huddled under the style over substance umbrella of today’s market. It probably isn’t really aimed at me anyway and I always feel that is exactly what is wrong with the situation. By assuming that pop should only... Continue Reading →
I get so used to listening to British bands enamoured by the glamour of American music, of ex-punks donning plaid shirts in search of a British Americana sound, whatever that might be, of pop pixies adopting the music and mannerisms of past stateside soul divas, of blues players digging for sonic pearls in the mud... Continue Reading →
I’m not sure what vibe I expected to hear from the opening salvo of a young Swindon musician, one presumably brought up on Netflix, Calvin Harris and undoubtedly surrounded by people still banging on about XTC. Whatever my presumptions they didn’t include the sun-soaked, calypso pop of Saturday Nights. (Also the Calvin Harris bit is... Continue Reading →
I suppose the trouble with getting used to watching an artist play small venues and coffeeshops armed with an acoustic guitar and little else is that you associate them with a certain troubadourish, folky-acoustic sound. But of course it is only when they get into the studio that they have the tools at hand to... Continue Reading →
If you were looking to pin a genre on Dave Sandersfeld’s music you might be hard pushed to settle on any one form. Not because it is really trying to be that ahead of curve or creating its own new pigeon-hole, that never works anyway, but because it skirts the edges of so many established... Continue Reading →
Anything which immediately makes me think of Paul Simon has got to be good right? I’m not saying that Socrates is necessarily ploughing the same musical furrow, certainly not intentionally, but there is something of the ex-Mrs Garfunkel’s spirit and joyfulness in the songwriting. He might not be the coolest name to bandy about when... Continue Reading →
That’s how you start a song. If you want to draw the listener in gradually, tease them with a few pre-song musical morsels, whip them up into a state of intrigue and anticipation before you have nearly started the song proper, then the first 30 or so seconds of Must Admit is a masterclass in... Continue Reading →
In a world teeming with identikit pop wannabes pushing the same sonic template, of would-be indie-folk troubadours and urban, musical dead ends, Rae du Soleil offers something which I haven’t encountered in far too long. Class! Whilst her contemporaries are racing around trying to out-cool, out-market, out-sell each other with music which barely stands up... Continue Reading →
It’s always great watching acts grow to fulfil their full potential. It’s one thing to have good songs, and Ben Sydes has never had a shortage in that department, but it is tough to deliver the song that is in your head when you are racing around the country in a solo, plug in and... Continue Reading →
It’s amazing how quickly a phrase becomes a meme, a meme a cliche, a cliche and accepted addition to the language. And anything that moves that quickly is obviously the perfect title for a song and the perfect subject matter to explore. It’s even better when the person behind the music is also the target... Continue Reading →
When we hear the phrase “there are three people in this relationship,” our first thought isn’t that they are talking about the pet, but that is exactly the angle that MARBL take with their latest single. Not so much seen from the point of view of the pet dog but certainly a reminder that pets... Continue Reading →