rescuing musical virtue in distress.
To an outsider like me, especially one writing from the other side of the ocean, Nashville seems to be two separate cities. The western half seems to be all rhinestones and tasseled jackets, stetsons, and songs about the alone and the wronged driving their pickup truck into the sunset. The eastern half, by contrast, is a more... Continue Reading →
Having been (perfectly, in my opinion) described as "Woody Guthrie meets The Sex Pistols," Scoot Horton makes music where those two respective genres merge perfectly. And why not? Rock 'n' roll was forged from country and blues and this new album from Scoot Horton is the perfect reunion of those sounds, topped off with punk... Continue Reading →
Most country music seems to echo with the sounds of the past, a tribute to where the genre has already been. If Nothing Else sounds like country music filled with the sound of the road ahead. Forget the Music Town sparkle and the traits and traditions of the past, Dirty, their latest ep, is both... Continue Reading →
Country music and the more general Americana sound has always been at their most potent when talking about the trials and tribulations, the hopes and dreams of the working man and women. And whilst there is a lot more going on here, sonically speaking, than you will find within those two genres, Vegas Motel not... Continue Reading →
There is a place where blues is swallowed up by an apocalyptic howl, where country music beats out a rhythm that seems to echo the primal heartbeat pulse of ancient America and where rock music is subsumed to burn in the fires of hell. It is a place that the likes of Johhny Cash passed... Continue Reading →
Anyone who lists Gram Parsons, Jeff Tweedy, Patty Smith, Ryan Adams, and Liz Phair as some of their influences is always going to be someone who I am going to take the time to check out. And, unlike many artists who list names just to look cool or who represent artists who they are not... Continue Reading →
There are certain names in music that initially conjure an indelible and instant sound. Hear the name Layla and that classic riff runs through your brain. Peggy Sue and you are transported to the formative years of rock'n'roll. Angie and you can almost hear Jagger's heart breaking. And if the name Delilah triggers Sir Tom... Continue Reading →
There is a strange and wonderful vibe to Gary Lover's brand of post-country. It is almost as if the songs were written by an alien intelligence that studied country music from afar or a computer that gained true sentience and decided to write algorithms to create kooky campfire anthems. Or Lou Reed in a strange... Continue Reading →
Kicking off with the now-familiar strains of the Free, a song that throbs with the same dark energies which Neil Young's Rocking In The Free World rode into the realms of the iconic, Two is a perfect showcase for the wide and creative spectrum of Matthew Austin Hunt's music. On the one hand, there are... Continue Reading →
Richard Schroder seems to have that knack for writing songs that immediately sound like you have been listening to them for years. Not in a tried and tested, heard it all before, sort of way, more like a, wow, I haven't heard this for ages sort of way. And if the opening riff of We... Continue Reading →
When writing about the previous album, Things I Don’t See, I sort of suggested that Kevin Daniel's sound got to the heart of what Americana is, for this UK based music consumer, at least. Just like most genres, however, it is almost impossible to get two people to even agree on what the term means.... Continue Reading →
Matthew Austin Hunt has been great at displaying his more subtle side, Bye London Bye being a case in point, and even the eponymously titled album which followed having balancing his more punchy sonic bursts with more considered ballads and tasteful understatement. Free, his latest single, sees him throw caution to the wind, a real... Continue Reading →
If I scan across the blurb for an album and see such luminaries as Sparklehorse and Mercury Rev listed as reference points, how can I not dive right in? Surely anyone who lists such mercurial and marvellous bands as sonic touchstones is going to produce something similarly interesting? There's only one way to find out.... Continue Reading →
Although Meghan Pulles has used the term emo-positive in the past to describe her music, with this latest single she wanders into territory which might be better termed cosmic country cool. But if it is country then it is wrapped up in a whole host of interesting indie traits and purposeful pop poise. The cosmic... Continue Reading →
Although you might associate Billy Roberts and The Rough Riders more with foot-on-the-monitor, fist-in-the-air, low slung rock and roll sound, we shouldn't forget that this sonic posse is just as deft at wielding poised and poignant music too. And that is the vibe to be found on this latest sonic slice. It's clearly a song... Continue Reading →
We are, by nature, curious creatures. In fact, our very evolution is down to the fact that we always want to know more. What's under that log? What's over that hill? What happens if I rub these two sticks together? Curiosity is in our DNA, wanderlust is part of who we are. So when a... Continue Reading →
As soon as the first few tracks of this soulful and sassy album had floated out of the speakers and into my senses, I knew that there was something familiar about the sound. To find out that the vocalist is none other than The Magic Numbers' Angela Gannon and that various members of Danny and... Continue Reading →
Writing this from the other side of the ocean, it is easy for the placenames of American towns to sound magical, otherworldly and iconic. Even the titular Mobridge, South Dakota resonates with the sort of cool lacking in my own part of the world, in places such as Newport Pagnell, Didcot or Swindon. But as... Continue Reading →
Playing what the band themselves call “Great Lakes country music,” Juniper is a wonderful collection of sounds garnered from country, bluegrass and folk all rearranged into their own alt-country style. It ranges from lilting and gentle acoustic balladry such as Hard Time, a song framed with the deftest and delicate arrangements and inclusions, to the... Continue Reading →
We know that Billy Roberts is great at kick arse, country rock and roll. That when you hear his music, you imagine a swaggering and groovesome band in full flight, foot firmly wedged on the monitor (I presume) firing of killer musical salvos. It's great then that Don't Understand shows another side to Billy and... Continue Reading →
Can we start with a bit of background, where has the musical journey taken you so far and what music and artists have inspired you along the way? Nero Kane: Since the beginning of my solo project as Nero Kane I’ve been through many satisfying things. Starting from the collaboration with Joe Cardamone (ex- The Icarus Line) for the recording... Continue Reading →
Having been forewarned and therefore fore-armed by Cody Lee’s groovesome New Normal, which kicks off this album, I was fascinated to see where he went with the sound that song hinted at. And the answer is mainly down a different, slightly alt-countryfied, understated rock, singer-songwriter path. The New Normal seems to stand apart slightly for... Continue Reading →
Once A Cowboy is a song which sits perfectly between the traditions of country music and more rock-orientated energies, not that the two genres have ever been that far apart. It’s slow groove and reserved pace hides the real kick that the music has, able to spiral up into crashing crescendoes when it wants to... Continue Reading →
Right from the first few bars, there is a real sense of familiarity with this record. I don't know if it's the Cave/Morrison like vocal style or the live natural sound achieved in the production. Whatever it is, I like it a lot. The band are both technical and solid yet they have the emotional... Continue Reading →
If Beemo isn’t the perfect bridge between the established traditions of Celtic folk and country rock, and the sound of contemporary indie music, then it will certainly do until a better bridge comes along. Nova, a succulent sonic taster from the album Bustin’ Out, is a buoyant and boisterous sing-along, upbeat and euphoric in the... Continue Reading →
Silverback Colony, (great name by the way) has been a revolving door for the great and the good of the musical world since its inception nearly a decade ago, with one permanent member in the form of the beard-stroking Gabriel Douglas at the helm of the musical ship. Here, aided and abetted by multi-instrumentalist Kai... Continue Reading →
Even up until about a year ago I was bemoaning the fact that, despite the way the world was turning, music still seemed to lack any political bite or social messaging, had forgotten what a great platform it had in favour of serving itself, was about the “me” rather that the “us.” Where was the... Continue Reading →
Nothing Is Like It Used To Be is a song with a very simple message. Whatever you're going through, whatever you are dealing with, wherever you are headed and for what reason, it’s a totally new experience. Others might have done something similar but it is by throwing you, the individual, into the mix which... Continue Reading →
I tend to listen to new music in my car on my commute to work, I can settle down without interruption and simply take in the music that is on offer, I lean towards the music that unfolds and has a story because it works so well with my daily journey. Upon reading that Justin... Continue Reading →
Twerk &Twang covers a lot of ground musically speaking and that generally suggests one of two scenarios. Often new artists will find themselves unfocused, unsure of their own musical identity and so dabble in all manner of sounds and styles. But Klaus Patzak, the man behind Broken Radio is anything but new to the game... Continue Reading →
