I sometimes struggle with music in such an extreme end of the market, a lot of it doesn’t speak to me on a very personal level, that isn’t a problem, not everyone can be the target audience. But then I heard Our Darkest Shadows, a song that sits both comfortably within the sound that In Silent Agony make but also seems to explain to me the scope and potential of the music much better than any of the other songs.
There is a depth, drama and dark theatrical script at work here, a mad combination of Wagner, Jim Steinman, Fields of The Nephilim and Anne Rice; a metal opera for a dystopian world and once I had that key to the music I found I could unlock and appreciate what was going on around this central song.
Approaching the rest of the EP with this new understanding I also realised that a second obstacle had been dealt with. Most of the music I have encountered in recent years that falls into such genres – thrash, metalcore, death metal – has been….now, let me be delicate…not very well conceived, all front and bravado and shown up by a record such as this. Part of the accessibility of Treacherous is the production, separation of sounds, the layering and textures, especially those that wash emotively behind those visceral riffs, textures that help build tension and sculpt otherworldly atmospheres.
Existing fans of metal in all its forms will find a lot to like, the gothic set will appreciate its dark soundscapes and the more industrial minded will find its clinical beauty and cold apocalyptic foreboding to their tastes. But if like me you have been away from the extreme metal trenches for a while and are looking for a way back in, this is the perfect place to start. Okay chaps, over the top we go….